This page lists books I own or have read recently, many are good and some are
not-so-good (but listed anyway so you can avoid them). For your information,
short descriptions are added to each title, reflecting my opinion on them. I'm
limiting this to books available in English. All opinions are my own of course.
Some of the authors have their own web presence. I add links to every
author I find (please let me know if I missed one).
Where can I get this book, you ask? We have become an Amazon.com associate,
by clicking on the link you should get more information on the book and a picture
of the cover, and the opportunity to order those books directly from Amazon.
If a book isn't linked here yet, you can try to find it yourself at
the Amazon.com
page. Some of my books seem to be out of print. These are unlinked (though
Amazon will help you find out-of-print titles).
Kampai Budokai gets 5% or so for the books you order through these links and
some other items you might order in the same session (this does not affect your
price!). You can imagine what riches await us... We appreciate your support.
(Note that if you browse around and order from a different page than the one
linked here, we will get less...)
Good or excellent books can get from one to five beers:
No beers means I didn't really like the book. Really bad books get the
Horrible Glass of Water:
Angry White Pyjamas, an Oxford poet trains with the Tokyo riot police. Robert Twigger. Indigo, 1997.
Books on Aikido by people who can actually write are rare. Even rarer
are books that don't try to idealise all things Japanese. Robert Twigger
tells about the Yoshinkan senshusei course he took and life in Tokyo in
general. Some people have commented he puts too much emphasis on the negative
aspects of his experience, but I don't feel his account sounds exaggerated
at all, it's just not very congratulatory. We all know many people quit
martial arts after obtaining a certain grade. Most don't write a book about
it though.
Aikido for Life. Gaku Homma, North Atlantic Books, 1990.
My favorite Homma
book. Collection of essays on Aikido, reflecting a beginner's course. His
debunking of the unbendable arm demonstration alone is worth the price.
Illustrated by line drawings.
Children and the martial arts, an Aikido point of view. Gaku Homma, North Atlantic books, 1993.
What I like about Homma is his honesty, he usually
says exactly what it's about. This book could be blamed for a heavy Aikido
bias, but then the title says so, doesn't it? What do you want your child
to learn in martial arts, Homma asks, what kind of techniques do you want
your child to use on its friends? The book contains a large part of autobiographical
reflection on a Japanese child's education. The technical section also
includes games to make class more interesting to children.
The Folk Art of Japanese Country Cooking, a traditional diet for today's world. Gaku Homma, North Atlantic Books, 1991.
This isn't just a collection
of recipes, but an introduction to Japanese folk art through cooking. Interesting
for us martial artists biased towards upper class samurai aspects of Japanese
culture. Contains material on Homma's work at the Lake Ogawara folk art
museum. Illustrated by BW photographs and drawings (and it has at least
one photograph from Ueshiba's Iwama hideout to justify its inclusion with
the Aikido books). Also comments on the supposed health value of Japanese
cuisine.
The
spirit of Aikido, Ueshiba Kisshomaru, Kodansha, 1984. Some essays
on the purpose, and history of the dissemination of Aikido. No techniques,
some photographs. I appreciate the section on the importance of the sword
to Aikido in this book.
Aikido, the arts of self-defense. Koichi Tohei, Rikugei publishing
house, 1961. and This is Aikido. Koichi Tohei, Japan Publications,
1968. These two books are very similar in content, the more recent
one is more developed, so I would choose that one first. Both are out of
print. The older one has some historic interest pictures that are not in
"this is aikido" however. It has 50 techniques or "arts",
which are assembled in 36 groups in "this is aikido". The techniques
are named: ikkyo, nikyo, sankyo, shiho-nage, kote-gaeshi, kokyu-nage and
kaiten-nage. Each have an irimi and omote application. Tohei focuses heavily
on mind and body integration, but this does NOT mean half of the training
time should be filled with talk on ki or kokyu. "If I explain you
may think you understand", he says, "but without experience it
means nothing". In other words; don't talk, practice. Note that Tohei
was still with the Aikikai at the time. Visit Ki
Aikido USA.
Unlocking
the secrets of Aiki-jujutsu. H. E. Davey. Master Press, 1997. Not
really an Aikido book, I put it here for convenience. Davey is current
head of Saigo ryu Aiki-jujutsu (this may sound dubious, but trust this
one). His book has some minor layout defects, but contains a very good
explanation on jutsu and do (Draeger wasn't wrong, he was misunderstood),
the history of Aiki-jujutsu, and a great chapter on myths and misconceptions
(I have a black belt in jujutsu, what do you mean, "which ryu?"
etc.), and explanations of Aiki principles that made me realise a few mistakes
in my understanding.
Complete
Aikido. Aikido Kyohan: the definite guide to the way of harmony. Roy Suenaka,
Christopher Watson. Tuttle, 1997. While the title sounds a tad
pretentious, I found this a highly enjoyable book. The first half is the
story of the authors martial arts career, which is particularly interesting
for the light it sheds on the disintegration of the Aikikai when Tohei
and Ueshiba Kisshomaru grew animous. The technical section is well presented
and quite good, but hardly 'complete'.
Bokken,
Art of the Japanese Sword. Dave Lowry, Mike Lee (Photographer). Ohara,
1985. Basics of bokken practice, intended as a supplement for unarmed
Aikido practice. Mostly basic movements and a few kumitachi. Illustrated
by photographs. If elements from Lowry's Shinkage ryu training were included
in the book, it isn't specified in the text. Not a terribly impressive
book. Not that there is anything wrong with the techniques, but if the
author had put a bit more emphasis on the fact that there are other authentic
ways to handle a sword, we might encounter less Aikidoka believing they
know the One True way to hold a sword or perform zarei or cut the air.
Aikido,
its heart and appearance. Morihiro Saito, Sugawara Martial Arts Institute,
1975.I saw Saito's multi-volume series "traditional aikido"
years ago, and at the time I was impressed. I didn't practice a ken or
jo art yet at the time. This book is of course far less detailed, containing
7 sword suburi, 7 kumitachi, no aiki-jo at all, and only a few examples
of each of the major holds and throws. The book is a nice reminder of Sato's
sword forms, but I'm very unimpressed with the people he got to pose with
him on the pictures.
I scanned this picture as a hopefully adequate illustration of what I mean:
The
Principles of Aikido. Mitsugi Saotome, Shambala, 1989. This is
mostly a techniques book, showing unarmed as well as some sword and stick
techniques from Saotome's system. Techniques qre shown in many clear photographs
with some explanation, as well as some history and philosophy edited by
Irene Wellington from lectures and writings of Saotome. A well-produced
book but rather specific to Saotome's school.
Samurai Aikijutsu. Toshishiro Obata. Dragon Books 1987. A small
book of 'aikijutsu' techniques demonstrated by Obata in clear photographs.
It contains a short Daito ryu and Aikido history. I particularly like the
conclusion though, where Obata voices some strong opinions on current Aikido
practice.
The
Hidden Roots of Aikido : Aiki Jujutsu Daitoryu. Shiro Omiya, Kodansha,
1998. Basic, intermediate and advanced Daito ryu techniques, explained
in photographs. The book doesn't say much on Omiya's background, but the
explanations are interesting. I particularly appreciate the short bits
called 'kuden' intermixed with the techniques. (example: guinomi kuden;
raise your opponent's fingers as if taking a sip of sake.)
Books on Japanese swordsmanship
Japanese
Swordsmanship, technique and practice. Gordon Warner, Donn F. Draeger,
Weatherhill, 1996. This book first appeared in 1982, and many of
the technical details have since changed. Each technique has dual descriptions
strangely labeled "former combative application" and "modern
spiritual application". Illustrated by photographs of people like
Mitsuzuka Takeshi and Otake Ritsuke demonstrating techniques, as well as
various useful skills such as decoratively tying the sageo around the saya
or the cords around the swordbag. Most interesting though is the introduction
on the sword in Japanese history and development and meaning of iaido,
which admirably refrains from the mythologisation of the samurai rampant
in most martial arts books.
Flashing
steel, mastering Eishin ryu swordsmanship. Masayuki Shimabukuro, Leonard
Pellman, Frog 1995. This book covers most of the ryu, history,
philosophy, omori, chuden, okuden, tachi uchi no kurai, seitei and tameshigiri.
I don't practice Eishin ryu myself, but still have my reservations regarding
some of the things going on in the photographs, esp. in the seitei section.
Often there are too few photographs, or they seem poorly chosen. For example,
the three variations of itomagoi are illustrated with exactly the same
sequence of pictures (also used for nuki uchi), which is reproduced three
times and shows nothing between seiza and furikaburi. A useful book for
those who want a quick reminder for all the series in one volume, I guess.
Practice
drills for Japanese Swordsmanship. Nicklaus Suino, Weatherhill, 1995. A
book with single and partner drills using bokuto. The practice of letting
the point drop down behind the back before striking could cause problems
in some styles. Drawings are rather dull computer graphics. His advice
on advanced practice is worth repeating: advanced practice consists of
the basic drills, performed by the advanced practitioner!
Iai,
the art of drawing the sword. Darrell Craig, Tuttle, 1981. Contains
seitei kata 1-7, without sageo handling (somewhat dated). The book also
contains some katas from Mugai ryu, and various stories (including the
47 retainers). Drawings are rather unprofessional and uneven in quality.
Not the best book around, but certainly worth having. Visit Craig's Houston
Budokan.
Jodo. Yoneno Kotaro and Hiroi Tsunetsugu . English translation of
the Jodo Kyoten by Eishin kan dojo, 1985. ZNKR Jodo. Quite good, though
the choice is limited concerning translated Jodo literature.
Japanese
Sword Drawing : A Sourcebook by Don Zier. Unique Publications, 2000.The first book in English on Muso Shinden ryu Iaido. It describes almost
all the kata from the shoden, chuden and okuden set, as well as the standard
forms of the ZNKR and ZNIR. Kanji are provided for all kata names, and
photographs are numerous and clear. Explanations are very sketchy though,
and the execution itself looks like someone who has practiced in isolation
for the last couple of decades, and would be considered "wrong"
by many practitioners of the style. The introduction is rather weak. This
book is for Muso Shinden ryu what Flashing Steel is to Eishin ryu (though
with better pictures but less phylosophy): an illustrated catalog of the
ryu's katas.
Looking
at a far mountain - a study of Kendo Kata. Paul Budden, Tuttle, 2000.A detailed explanation of the Kendo no Kata, illustrated with photographs
and drawings. Also includes some history, lineage charts, a glossary, and
a number of historic photographs. Recommended for anyone interested in
the Kendo kata.
Swords,
and hilt weapons. Barnes&Noble Books 1993 Peter Connelly, editor (various
authors).This oversize illustrated work consists of a number of
loosely related essays on swords, knives and other cutlery. The start is
more or less chronological with more emphasis on post-1700 history, ending
with modern fighting knives. The book then switches two swords of Islam,
Japan, Asia, India, Africa and pre-conquest America. The part on the Japanese
sword is written by Victor Harris (of the infamous gorinnosho translation).
The book contains many interesting and nice illustrations and information,
but is somewhat incoherent in its organisation. You will have to go to
Barnes&Noble to obtain the reprint (perhaps you would go through Koryu
Books and support them?)
The
Armourer and his Craft. From the XIth to the XVIth Century. Charles Ffoulkes.
Dover Publications, 1988. This is a reprint from a 1912 classic
work on the subject. It contains several authentic texts in full, a polyglot
glossary, and an interesting study of the weight carried by soldiers in
history (1550: armor and helmet; 25lb, clothes and arms; 15lb. - 1911:
British infantry service equipment; 59lb 11oz). It also deals with leather
and textile armor. Recommended.
The
Book of the Crossbow. Ralph Payne-Gallwey. Dover Publications, 1995 (orig
1903).A treatise on the construction and use of this often overlooked
weapon through the centuries. The details on construction of the several
models are sufficiently explicit that one is tempted to try and build one.
There is even a preparation for poison arrows included. Flanders' famous
crossbows are not neglected. It also includes the Chinese repeating crossbow
and some material on the Turkish bow. There is an appendix on siege engines,
with reconstruction plans by the author.
Techniques
of Medieval Armour Reproduction - the 14th century. Brian R. Price, Paladin
Press, 2000. A voluminous, very nicely illustrated work on armour
making. It deals with modern reproduction rather than historic armourers
though, and is limited in scope to 14th century armour. Also scarce are
actual patterns. On the other hand the book has detailed information on
materials, tools and techniques.
Ancient
Chinese Weapons - a martial artist's guide. Yang Jwing Ming, YMAA Publications,
1999.A list of some 80 Chinese weapons with short descriptions
and drawings, classified as long, short, soft and projectile weapons, and
shields and armor. The book unfortunately does not cover war engines. Also,
the drawings are not very detailed - this is particulary evident in the
section on armor - and explanations on the use of the weapons are very
sketchy.
Karl Friday is a Japanese history professor and koryu practitioner with
a dual mission: to bring some sense of historical reality to the martial
arts literary community, and to bring some practical experience to the
field of Japanese historical research.
Legacies
of the sword, the Kashima Shinryu and samurai martial culture. Karl F.
Friday with Seki Humitake, University of Hawaii, 1997. The importance
of this book can't be stressed enough, though others have done so better
than I can. According to the introduction, this book started as a translation
of a how-to book, that turned out to become much more. I wish the technical
explanation (which were of necessity downplayed in the context of the book)
will see separate publication someday. Highly recommended (you absolutely
must have this).
Sword
& Spirit: Classical Warrior Traditions of Japan,Vol 2. Diane
Skoss, ed. Koryu Books, 1999. is available now. The entries
in the ryu guide are expanded (as requested by many). The first part studies
Takeda clan writings that shaped later thoughts on Bushido. Meik Skoss
did a puzzling interview with Saito Satoshi on shurikenjutsu: I thought
the fan was used to move air or bash someone on the head, but it seems
the Koga ninja used it to solve trigonometric and differential equations???
(and then Meik just switches the topic!). Liam Keeley writes on Tatsumi
ryu, Karl Friday writes on kata (mostly repeating the chapter in Legacies
of the sword) and the book ends with Nishioka Tsuneo discussing uchidachi
and shidachi in Shindo Muso ryu.
Lives of master swordsmen. Makoto Sugawara, the East Publications,
1988. This book seems to be out of print. Great biographies of the
most important Japanese swordsmen, founders of some of the most influential
ryu. Interesting illustrations.
A
book of five rings, Miyamoto Musashi, Victor Harris, 1974. I would
like that someday someone familiar with Niten Ichi ryu would translate
the gorinnosho. Also, don't read Harris' introduction, it's full of historical
errors. Read "lives of master swordsmen" instead for a biography
of Musashi.
The
book of five rings, Miyamoto Musashi, Thomas Cleary, Shambhala, 1994. Slightly
different translation, and at least doesn't include any bizarre "history".
Be careful when ordering, there is a pocket
edition of this book which doesn't include Yagyu Munenori's family
traditions on the art of war, a fact that isn't exactly emphasised on the
order page.
Legends
of the samurai, Hiroaki Sato, Overlook press, 1995. Collection
of interesting stories, anecdotes and samurai writings, in which the oldest
available material was consistently used, instead of a modern retelling.
It contains a partial translation of Musashi's book of five rings. With
drawings.
Secrets
of the Samurai, the Martial arts of feudal Japan. Oscar Ratti, Adele Westbrook,
Tuttle, 1973. Almost exhaustive survey of western pre-1970 martial
arts literature, with heavy aikido bias. Interesting mix of facts and fiction
and classic demonstration that one should strive to use primary sources
when writing a book. Not that it's actually bad, just biased and at times
misleading. The average paragraph starts with many disclaimers but nevertheless
usually ends in some absolute statements. Illustrations of techniques seem
to draw mostly from samurai movies and a rich imagination.
Musui's
story, the autobiography of a Tokugawa samurai. Katsu Kokichi, University
of Arizona 1988.The book that shaped the morality and spirit of
Budo of the Tokugawa samurai. NOT! Musui's story tells us what being samurai
in time of peace was really about: brawls, extortion, pyramid schemes,
etc. Illustrated with period artwork. The translation attempts to capture
a certain flavor, which I'm not sure really succeeds if one is not familiar
with the affected idiom.
A
daughter of the samurai. Etsu Inagaki Sugimoto, Tuttle, 1966. What
living in a Meiji era former samurai family was like. An autobiography.
Etsu goes to the US with her husband, then returns to Japan with her children
after his sudden death. Interesting case of multiple culture shocks. Contains
some questionable statements of historical 'fact' that should be taken
as author's belief. A very nice read though.
The
sword and the mind. Hiroaki Sato, Overlook press 1985.Translation
of the heiho kaden sho, fudochi shinmyo roku and taia ki. Includes original
illustrations and a very interesting introduction containing some details
on the relation between Munenori and Iemitsu. Don't expect to figure out
all the catalogued techniques though.
Sun
Tzu, the art of warfare. The first english translation incorporating the
recently discovered Yin-ch'ueh-shan texts. Roger Ames, Ballantine books,
1993. Roger Ames is professor and head of the Chinese studies dept.
of the university of Hawaii. The translation has the Chinese original on
one side, and there are no comments and explanations by the author, it
is just a translation. The introduction is interesting and contains some
important points on translating: Chinese words have several possible meanings,
and most translator use the meaning that makes the most sense in a given
context. Ames argues that one should instead try to make all possible meanings
fit in the context to understand the true meaning of a text, because by
not doing so we only project our own culture back on the Chinese text,
and learn nothing on the Chinese worldview, which should be the point of
the translation. The additional material is quite different in style from
the core text, and consists of question and answer sessions, some are very
fragmentary.
For older translations, Ames recommends Griffith,
(and so do I) who was an experienced soldier himself, unlike Cleary
for example. Griffith also includes an analysis of the use of Sun Tzu by
chairman Mao and by the Japanese in WWII.
The
Lost Art of War, Sun Tzu II, Thomas Cleary, Harper, 1997.This
is a translation of Sun Bin the mutilated, the long lost work by a descendant
of Sun Wu, that was unearthed a few decades ago. The style is similar to
the lost chapters of Sun Tzu, and part of the work could be seen as an
explanation of the sometimes cryptic statements in the older work. Parts
of the text are still missing or fragmentary. Apparently there were some
changes in war technology, because Sun Bin besieges walled cities on occasion.
The format consists of translation in bold, followed by commentaries by
Thomas Cleary. The work concludes with a summary of common concepts in
Sun Wu and Sun Bin. Some of the commentaries seem to have little relation
to the translated text, in my opinion. Also, Cleary's attempts to translate
the strategies into business management terms are contrived and distracting.
I never did like that Tom Cruise movie either.
Greece
and Rome at War. Peter Connolly, Stackpole Books, 1998. This combines
stuff from earlier books by the author with new material and very nice
artwork. Reconstructs weapons, armor and tactics of Greek and Roman armies.
Also describes the Celts and other enemies of Rome. Recommended.
Zen
and Japanese Culture. Daisetz T. Suzuki, 1993. The basic idea of
this book is that religion shapes culture and not vice versa. To quote:
"let us imagine (Japan without Buddhism), the country would look like
a deserted house with no furniture, no pictures, no screens, no sculptures,
no tapestries, no gardens, no flower arrangements, no No play, no art of
tea, and so on." Suzuki is a Zen Buddhist and he's advertising, and
a bit unconvincing at times. Zen and the samurai, and Zen and swordsmanship
fills a large part of this book. He puts a strange emphasis on the "virility"
of zen (presumably as opposed to "effeminate" tendai and shingon?),
and his use of the Tai Hei Ki as documenting the religious persuasion of
its protagonists rather than of its authors or their patrons is somewhat
questionable. I think it's strange that there seem to be more zen masters
referring to swordsmanship, than swordsmen referring to zen. Zen masters
in the stories are quick to claim mastery of the sword, while the connection
of the swordsman to zen is often rather contrived; if the samurai kills
without a second thought, it's because he views the enemy as an illusion,
which is very zen. If he tries not to kill, he is compassionate, which
is zen too. If he gets himself killed, that is even more zen. Seems the
poor samurai is an example of zen whether he wants to or not. What could
be the cause of this fascination for the art of killing from the zen practitioners,
and their willingness to ascribe zen motives to professional killers?
Gay
Tales of the Samurai. Ihara Saikaku, Alamo Square Press, 1995. I
wasn't paying attention, thinking it were going to be merry tales,
but the book deals with the Japanese practice of shudo (pederasty) as described
in extracts from the works of Ihara Saikaku. This book is a retelling of
a 1930 english translation of a french translation by Ken Sato, and this
definitely shows in the awkward style and some of the most horrid romanizations
one can encounter.
The
Art of War. Niccolo Machiavelli. Intro by Neal Wood. Da Capo Press, 1965.The intro by Neal Wood makes much of 'the art of war', claiming it
to be a kind of synthesis of Machiavelli's socio-political theories, but
I think this is a bit exaggerated. Originally published in 1521, it's interesting
to compare it with the Book of Deeds of Arms and of Chivalry by Christine
de Pizan from 1410. Personally I like the earlier work more, Machiavelli's
emphasis on the superiority of the Romans in all things is tiresome at
times.
The
Fighting Spirit of Japan. E. J. Harrison. Overlook Press, 1982 (orig. 1955).
This is one of those 'classics' on the subject of Japanese martial
arts, and one of the first in the West to highlight its esoteric sides
(like ki). While Harrison may seem overly credulous at times, he makes
a clear distinction between his own experience and hearsay (unfortunately
later writers have quoted him with far less restraint). As an added bonus,
Harrison actually writes well. I found particularly funny his account of
organising judo-vs-western matches between a Kodokan Judoka and some foreign
sailors willing to take up a challenge. This goes on as long as the Judoka
keeps winning, but no sooner does he get a good beating from an American
sailor who knew a little boxing, or Kano himself officially threatens with
summary expulsion all those guilty of "degrading practices of this
kind calculated to sully the fair fame of judo".
The
Knight and Chivalry. Richard Barber, Boydell Press, 1970. A classic
work on chivalry, its history and literature, and its connection to religion
and the state. A little shallow on the 'practical' side, otherwise recommended.
The
Book of the Courtier. Conte Castiglione Baldassare, 1528. A book
on the code of the Renaissance knight and courtier, and a great work of
literature. Interesting to compare this with the Hagakure, code of the
Samurai, and similar writings.
The
Martial Arts of Renaissance Europe. Sydney Anglo, Yale University Press,
2000. A long overdue analysis of European martial arts, mostly (but
not exclusively) from Renaissance manuals. Anglo discusses sword fighting,
staff fighting, bare hands, daggers and knives, and mounted combat, and
besides this, a considerable part of the book is devoted to the problem
of recording combat techniques in manuals, and the various solutions adopted
by the old masters. One of the main themes of the book is that European
martial artists attached great importance to explaining their art (without
which ability one was never considered a real master), which partly explains
the great abundance of combat manuals created.
Secret
Fighting Arts of the World. John F. Gilbey, Tuttle Publishing, 1963.
Twenty 'secret' techniques from all over the world, from bad breath to
delayed death touches. A farce so farcical that it must be read to be believed.
Would have been hilarious if not taken seriously by so many.
Moving
Toward Stillness. Dave Lowry, Tuttle Publishing, 2000. A collection
of 45 interesting Dave Lowry essays on martial arts, originally published
as columns in Black Belt Magazine. Occasionally tends to be Japan-worship-ish,
but recommended nevertheless.
Martial
Musings, a portrayal of martial arts in the 20th century, Robert W. Smith,
Via Media, 1999.This is a nicely produced book, hardcover, high
quality paper, and sepia-colored photographs. However, the title is misleading.
A better description would be "An autobiography, with some material
on Judo and Taiji (and some boxing) as practiced in the US according to
the author, with frequent digressions into American politics, American
journalism, movies and literature, American religion, and so on, which
vary between boring and offensive. The author unrepentently boast of being
the pseudonymous liar "John Gilbey." There are interesting bits
in this book, but they are few and far between. If you have any connection
to Mr. Smith through your training, then this would be a fascinating history
for you, but I don't see why anyone else would care sufficiently to wade
through these martial ramblings.
Fighting
with Sticks. Nick Evangelista. Loompanics 1998. A superficial little
book, mostly on singlestick. The author has basically taken the sections
on stick from Egerton Castle and Hutton, and made up a set of rules by
which these bloody games can be practiced safely. The book also offers
yet another (and totally off-topic) repetition of the 19th century version
of fencing history. What little technical advise he offers is obvious common
sense. There are extremely short sections on canne and staff- you can learn
more by watching Robin Hood, the movie. And there are instructions on constructing
your own singlestick. It requires a stick, an ice-cream container, and
lots of duct tape (eat the ice-cream first). I was really disappointed
by this book (especially since it got positive reviews from people I consider
serious). The depth of the author's research is obvious when he describes
Eastern stick fighting, and identifies the style founded by Muso Gonnosuke
as "Black Sword Aikido." There is better information than this
available on the internet!
Stick-fighting:
self-defense. Bruce Tegner. Thor Publishing, 1982 (orig. 1972).I
have heard some rather negative comments about some of Tegner's books and
his qualifications for writing them, but apart from disagreeing with his
opinion on gun defense, I found the advice and techniques in this book
simple and sensible, especially for the elderly or less fit. It also contains
some interesting advice on training the blind or disabled that I was able
to use on occasion.
The
complete 7 katas of judo, M. Kawaishi, Overlook 1982. Historical
document showing Kawaishi's interpretation of the 7 judo kata's; randori,
gonosen, kime, itsutsu, ju and koshiki no kata. Also mentions Shobu no
kata and Go no kata, but unfortunately these are not explained. Translated
from french.
The
Balisong Manual, Jeff Imada , Know Now 1984.A manual on how to
handle the balisong by a student of Dan Inosanto. Contains several opening
and closing sequences, and a few practical applications. Cover the blade
with tape while practicing. Maintain pressure until the bleeding stops.
Interesting to know what you might be up against someday.
Medieval
Swordsmanship, illustrated methods and techniques. John Clements, Paladin
Press, 1998.This book is better structured than Clements' previous
work, it is also considerably larger (300+ pages) which allows a more detailed
treatment of the subject. The book deals with sword and shield, and two-handed
sword. The author has collected his rants in a number of appendices in
this book, instead of spread around like in Renaissance swordsmanship.
This greatly improves the flow of the text. This book is heavily geared
towards the HACA training system, which is based primarily on sparring.
This may be considered somewhat limiting: close fighting and armed grappling
is somewhat neglected, presumably due to the difficulty and danger of using
them in sparring. In appendix are a number of essays and rants, some of
which can also be found on the HACA website. What the rants are about:
John Clements wants to recreate medieval methods of combat, some organisations
of re-enactment engage in forms of recreated combat, which could provide
a large base for experimentation and feedback for his research. Unfortunately,
it seems, most members in these organisations are more concerned about
the period origin of the fibers in their underwear than with authenticity
of their recreated combat techniques. For the researcher this must represent
a frustrating case of missed opportunities. The book is clear and the illustrations,
while ugly, are relatively easy to understand. This is currently the only
book on the subject, so it's certainly recommended. A comprehensive list
of explanations of terminology used in old combat manuals would have been
appreciated. Like the Renaissance one, source references are lacking. (visit
the author's HACA site).
English
Martial Arts. Terry Brown, Anglo-Saxon Books, 1997. This book deals
with the London Masters of Defence and their techniques and weapons. Covered
are: broadsword, quarterstaff, sword & dagger, vs sword & buckler,
the bill, and bare-fist fighting. Illustrated with clear photographs. It's
interesting to see how a closed handguard can substantially change sword
techniques. But how could they fight wearing shoes like that? I would have
liked a more detailed discussion on how exactly these techniques were reconstructed,
and how much they might be influenced by the author's Kung Fu background.
(visit the author's Company
of Maisters website)
The sword and the centuries. Alfred Hutton, Barnes and Noble reprint
1995. Descriptions of duels selected from a 500 year period, with such
interesting details as types of wounds inflicted etc. Also includes various
old manuscripts, and material on the London masters of defence. The author
believes the sword improved through the centuries to reach perfection in
the smallsword, but this doesn't make the duel descriptions any less interesting.
This book makes a nice companion to "Legends of the samurai."
You will have to go to Barnes&Noble to obtain the reprint (perhaps
you would go through Koryu
Books and support them?)
Tales
of Okinawa's great masters. Shoshin Nagamine, Patrick McCarthy, Tuttle,
2000. The book is divided in three parts. The first part contains
biographies and anecdotes on 10 karate masters, the second part describes
Shoshin Nagamine's philosophy of karate and contains some basic zazen instruction.
Part three is about tegumi or Okinawan sumo. One of the most striking features
of the biographies is the distinct absence of the kind of superhuman feats
that seem to make up so much of regular karate lore.
Analysis
of Shaolin Chin Na. Dr. Yang Jwing-Ming, YMAA publication centre, 1991
(4th print). Chin na is grabbing and controlling the opponent.
In this book Yang presents the techniques, ordered by principle, and interestingly,
gives an escape and a counter for each technique. The Chin na techniques
can be integrated in any grappling art. The book also presents some rather
gruesome training exercises (juggling concrete blocks, fighting trees etc).
Illustrated by photographs and drawings. Visit the YMAA
The
Fighting Weapons of Korean Martial Arts. In Hyuk Suh, Jane Hallander, Unique
Publications, 1988.This book describes the weapons of "Kuk
sool won". A lot of the contents is, let's say "slightly biased"
but, the author makes a good argument in favor of training with weapons,
which I can only second. The book is about 70 pages text with illustrations
showing weapons and some sample techniques, and about 100 pages filled
with a sword form and a staff form.
Combat
use of the double-edged fighting knife. Rex Applegate, Paladin press, 1993.
A 37 page book, including a discussion on the development of the
Applegate fighting knife, and how to build a practice dummy. Technique
consist of holding the knife at the unsharpened end and introducing the
other end in the enemy's body. Always attack by surprise if possible. According
to the author, knife-vs-knife fighting almost never occurs in real life
and there is no point in training for it: if confronted with a knife, run,
shoot, or use a baton, chair or other improvised weapon.
Gene LeBell's handbook of self-defense, Pro Action Heritage series,
1996 (original from 1964?). This was written at a time when karate
was just being introduced and all Asian martial arts were known as "Judo".
Contains techniques from mostly wrestling, boxing and judo. I got it for
historical interest mostly. It's interesting how things don't really change
that much.
How
to defend yourself, effective and practical martial arts strategies. Dr.
Yang Jwing-Ming.YMAA publication centre, 1992.It is often a sad
experience to read self-defence books by high-ranking martial artists,
as much too frequently, they seem to feel that self-defence requires exactly
those skills that are not the focus of their art and most often presented
in a totally disorganised fashion. This is not the case in this book by
Dr. Yang. His self defence strategies are consistent, simple and
effective. His techniques are taken from White Crane (Bai he) and Long
Fist (Changquan), which are interestingly also considered the root systems
of karate, so people practicing karate may find this book especially useful,
or at least interesting to see what Yang considers to be the most simple
and most effective techniques in these systems. The pictures are for the
most part easy to follow (and have some kawaii girls, for those of you
who have superficial moments too). The introduction has an interesting
section describing "martial morality". Recommended.
U.S.
Marines Close-Quarters Combat manual. Paladin press, 1996.This
book gives no author information at all. The book allegedly presents the
LINE system (linear infighting neural-override engagement), which sounds
like an expensive bs name to me. This "system" is divided in
line 1: wristlocks and chokehold counters, line 2: punch and kick counters,
line 3: unarmed knife defense, line 4: knife fighting, line 5: enemy removal,
and line 6: unarmed bayonet defense. The book includes M16A2 bayonet fighting.
This is a rather poor book, often repeating the same drawings over and
over. The actual techniques (basic punch and kick excluded) are: wristlock
(kote gaeshi), reverse wristlock (aka nikyo), elbow strike (ude osae aka
ikkyo), a leg sweep (osoto gari), and an arm lock that looks like ude gatame.
Against a knife attack, you simply have to block the attacking arm, and
then the same techniques can be used (yeah, right). Knife fighting uses
the ice pick grip, again you just have to block the opponents knife with
your free hand and then do a push cut to his throat, followed by a chest
stab. The sentry removal starts with an eye gouge or groin stab, then slash
to the throat, then lying down on his face while he dies. I think you might
as well shoot him if you are not going to cover his mouth as a first step.
The bayonet fighting uses a middle guard, which means there are blocks
to 4 sides, unlike in Styer's system, where there is only one block. There
are some group strategies described for bayonet fighting. The bayonet defence
uses the same principle (?) as the knife defence. The presented system
seems based on theory and wishful thinking instead of practical experience.
One might wonder about the probability and relevance of bayonet-vs-bayonet
and knife-vs-knife fighting in actual combat. I don't recommend this book,
those interested in the subject should rather consult Field
Manual 21-150 which is FREELY available on the web (among other interesting
field manuals), or the books by Fairbairn, Styer and Applegate.
Armed
& Female. Paxton Quigley, Mass Market Paperback, 1994. While
this is marketed primarily as a book on handgun defense, it touches on
many aspects of armed and unarmed defense. Quigley obviously has trained
in or studied most popular self-defense courses, which adds a lot of value
to the book.
The
joy of Japanese cooking. Kuwako Takahashi. Shufunotomo, 1986.Do
you know your cuts? If tameshigiri gets too easy for you, try this. The
author practices Sogetsu ryu ikebana, which is quite noticeable in the
delightful photographs. Ingredient descriptions are adjusted to the American
market, but it's not too hard to work around that (for us living elsewhere).
Shodo
: The Art of Coordinating Mind, Body and Brush. William Reed, Japan Publications,
1990. This book covers basic techniques of Shodo, key aspects of
characters and styles, and a guide for appreciating calligraphy. The author
is also a Aikido 4dan in the ki society. I don't know or practice Shodo,
but the book gives an idea of what the mental benefits of practice might
be. The technical aspects in the first part might seem very familiar to
Iaido practitioners. The book is, of course, illustrated with many pieces
of calligraphy.
Japan
at War, an oral history. Haruko Taya Cook & T. F. Cook. The New Press,
1992. Absolutely recommended for first hand accounts on being brainwashed
into group suicide, chopping off Chinese heads, performing vivisections
and testing biological weapons on 'bandits', being torpedoed, lost in the
jungle, bombed, tortured by the imperial secret police, flying a kamikaze
plane, being condemned to death as a war criminal, or have a nuke thrown
at you. No illustrations.
Traditional
Arts and Crafts of Japan. Christopher Dresser. Dover Publications, 1994
(orig. 1882). This book consists of two parts. In the first part,
industrialist and art lover Dresser recounts his travel through 19th-century
Japan. Escorted by Imperial officials, he visits lots of places inaccessible
to the average Japanese (many of which are now gone). There are some tense
moments when the Satsuma rebellion breaks out, and he finds his escort
consists mostly of Hiego men... Part 2 presents his understanding of Japanese
architecture, symbolism, lacquer, pottery, metal and fabric. I would like
to quote this comment about the study of Japanese art:
But I must not be misunderstood : I do not wish to destroy our national
art, and substitute for it the Japanese style. I merely wish that we should
avail ourselves of those methods which are in advance of our own; not minding
where they originated. Art, to be of value, must be national. It must embody
the sentiments of the people who create it; hence no foreign art can be
adopted by a country without the sacrifice of qualities which make it noble.
A nation may borrow art suggestions from other peoples, as the Greeks borrowed
from the Egyptians, and as the Japanese have borrowed from the Chinese
even with advantage. But the suggestions adopted must be filtered through
the mind of the country that adopts them. They must be so modified as to
harmonise with the new conditions under which they exist. Broadly stated,
my position is this we may borrow what is good from all peoples; but we
must distil all that we borrow through our own minds.
Illustrated by 200+ drawings, a lot of them being high quality ink paintings.
Shogun.
James Clavell. Coronet Books, 1976.Another fascinating epic based
very loosely on historic events. It's a good story, and I think
it's based on what the average Japanese Clavell met believed about the
period. That doesn't make it history though (and I wished I had a penny
for every person referring to the Toronaga shogunate period in Japanese
history) and I wouldn't try to learn Japanese out of it either.
Genji
Monogatari. Murasaki Shikibu. Kencho Suematsu (trans) Tuttle, 1997. The
10th century story is about the life (and mostly decadent adventures) of
prince Genji Hikaru. because this book
is an abridged version, which is hardly indicated (I haven't gotten around
to acquire the full version yet).
Ryoma
: Life of a Renaissance Samurai. Romulus Hillsborough, Ridgeback Press,
1999. A very exciting dramatised biography of an important figure in
pre-Meiji Japan. The author manages to remain mostly convincing (no small
feat when your protagonist is considered by many to be a genius), I did
regret that when the book ends after 600 pages with Ryoma's death, we get
no information about what afterwards became of the other characters.
Movies
Grab some beers, watch a movie. These are some of my favourites,
if you don't like black&white you will probably disagree...
Kurosawa Akira:
The Seven Samurai VHSDVD
you probably know about this one already
Sanjuro VHSDVD
Mifune as the reluctantly helpful ronin with the fast sword
Yojimbo VHSDVD
what should we call this, a soba western? Mifune as ronin again.